Tuesday, February 9, 2016

Framing informality


In my short essay I would like to discuss possible ways of treatment with informality itself.  I'd like to define the essence of relationships between formal and informal. All my suppositions are based on a simple contradistinction that informality is absence of formality and vice versa. There is no third option, either informal or formal, irregular or regular, natural or artificial, free or bound, chaos and order, yin and yang. These two notions completely fulfill our material world and our behavior, easy to say, everything that surrounds us.

At first glance it seems that informal is a subsequence of formal. The prefix "in" hints us a secondary character of notion, that "formal" allegedly was firstborn. It is true only in terms of the morphology of the language. But in fact in space and in every field of activity informality prevails in the beginning. And only then informal permanent space starts to be divided, separated and regulated by humans. The act of any regulation of original informal space is the a process of creation of something formal. And in my opinion the only being that can produce formality are humans. Without humans there is no discussion of that matter. So, what is definition of formality then? Continuing the theme one could say that formality is systematization of informality done by humans. It is an attempt of regulation. We divide physical space by walls, slabs, other volumes to create a form. We create restrictions known as laws and rules to regulate the human behavior. So, let's say this man-made frontiers that interrupts continuous world is the essence of formality. Everywhere people come formal realty arises.

Another aspect is that this two notions don't substitute each other. Formality done by humans isn't alternative to informality. It only partitions space and establishes frames where the informal processes still working within but with less freedom. It makes things more understandable and controllable for people. Of course, informality has it's own natural rules that have really complex structure with thousands of parameters. People historically haven't had intellectual and computational resources to cover it. Therefore, partitioning of one high grade complex informal process is appropriate demand to deduct it in several simple actions which everybody can deal with. It's important to find balance between amount of ruling boundaries and enough flexibility within the domain. Either one may intensify density of formality and control every little thing or do less of it to preserve more freedom of spontaneous life and evolving potential to some extend. The more formal the less adaptable but clear. The less formal the more flexible but also corrupt. Every option has his pros and contras.

Formal world is imperfect because of imperfect nature of humans. Rules and restrictions sometimes are strong enough and sometimes week and can't cover the entire flow of informality. Quite frequently one can find loopholes in the boundaries allowing the informality to avoid it. Formality is like a dam surrounding liquid substance that pushes every minute on it. A lot of scenarios can occur that crashes the system. Dam could break under the pressure, reservoir may overflow or dry out at all. So it's a continuous fight between formal and informal.

I would like to illustrate this (in)formal relationships by some examples. They are all basically about architecture and cities.

First one is about Michel Foucault, good known French philosopher who addresses the subject of framing informality in his writings. Foucault sees architecture as “a diagram of a mechanism of power reduced to its ideal form.[1]” In other words, Foucault reads this architecture through a two-dimensional form of representation, which expresses the various informal forces created by its lines. Gilles Deleuze was particularly attached to this excerpt of Discipline and Punish as, according to him, that is the first and only time that Foucault uses the notion of diagram that is fundamental to understand the mechanisms of power he meticulously describes. In his book dedicated to the work of Foucault[2], he attributes to him the function of cartographer. Cartography is precisely the activity that considers a given situation within reality and elaborates a diagrammatic representation of it:

The diagram is no longer an auditory or visual archive but a map, a cartography that is coextensive with the whole social field. It is an abstract machine. It is defined by its informal functions and matter and in terms of form makes no distinction between content and expression, a discursive formation and a non-discursive formation. It is a machine that is almost blind and mute, even though it makes others see and speak.[2]

Foucault is interested in a building rather as a combination of lines of visibility that forms relations of power between the individuals affected by those lines which act as boundaries I described before.
Another example by Foucault was described in the same book "Discipline and punish"[1] that illustrates appearing of formality in the cities. He is telling about the measures to be taken against the plague in the seventeenth century: partitioning of space and closing off houses, constant inspection and registration. Processes of quarantine and purification operate. The plague is met by order. Lepers were also separated from society, but the aim behind this was to create a pure community. The plague stands as an image against which the idea of discipline was created. The existence of a whole set of techniques and institutions for measuring and supervising abnormal beings brings into play the disciplinary mechanisms created by the fear of the plague. All modern mechanisms for controlling abnormal individuals as well as modern urban planning approaches derive from these.
Let's move gradually nowadays. There are a lot of vivid and good examples that are representing the idea of cooperation between formal and informal. As the most eloquent example I would like to take works of Chilean architect - Alejandro Aravena. Especially regarding last news of his win of the Pritzker prize I have just no right not to mention him in this topic.

Indeed, Aravena felt the approach than nobody used before intentionally. Let's take in consideration his social housing projects such as Quinta Monroy in Chile, Elemental Monterrey and Villa Verde Housing in Mexico. Alejandro found a good balance between conventional planning and informal settlements. Experience seems quite successful, the idea works well. It turned out this two totally opposite worlds can coexist and merge together. Let's give a word to the author:

When you create an open system, it customizes itself, it corrects itself, it's more adapted to the reality – not just to the family but also for cultural diversity. So it is not only a response to scarcity of means. Even if we had a lot of money it would have been an appropriate solution.
...
Of course this is not chaos, just do whatever. There are very specific design things – the size of the void for example, or that we built with walls and not just with frames. It's a very delicate balance between being restricted but enabling self-operation without going into a chaotic environment. It's a very precise design operation what you build, and also what you don't build[3].

Aravena has no fear not to control the final aesthetics. He is more interested in the position of the void than in what is built by him, observing the work of many future co-authors. I see something fresh in it. We have enough knowledge about how to profit prom informal processes. Up to date architect and not only architect should be beyond the static formal solutions. He should be the one who can and must use the power of informality to make all the aspects of our life more convenient and efficient.

Bibliography:
[1] Foucault Michel, Discipline and punish: the birth of the prison, trans: Alan Sherida, New York : Vintage Books, 1995.
[2] Deleuze Gilles, Foucault, trans: Sean Hand, Minneapolis: University of Minnesota Press, 1988.
Web links:
Interview with Alejandro Aravena
published at www.dezeen.com 13. January 2016.

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